The Jealous Wall, Belvedere County Westmeath

The Jealous Wall built in 14th Century to block the view of Lady Rochford seeing her accused lover.

Shrewsbury, England

Shrewsbury, an old medieval town in the West Midlands of England. It is the county town of Shropshire and River Severn.

Lough Ennell, Ireland

Lough Ennell with shallow waters has the some of the best spawning streams of any Lough in Europe.

The Ruins of Fore Abbey

Fore Abbey (630AD) is a Benedictine Abbey ruin, situated north of Lough Lene in County Westmeath, Ireland.

Tullynally Castle, 17th Century

Tullynally Castle is situated 2 km from Castlepollard on the Coole Village Road in County Westmeath, Ireland.

Monday, 17 October 2016

Award Mentorships

2017 Emerging Writers’ and Illustrators’ Mentorship Program supported by Copyright Agency Cultural Fund

The Australian Society of Authors (ASA) Emerging Writers’ and Illustrators’ Mentorship Program provides the winners of these award mentorships with the opportunity to develop their early draft manuscript to a publishable standard through 13 free mentorships with professional mentors. Applications are assessed on literary and artistic merit and developmental potential.
Entries will be accepted in the seven genres of fiction, non-fiction, poetry, graphic novels, young adult literature, children’s writing and picture book illustration.
The 2017 program will support 12 mentorships from any eligible genre, funded by the Copyright Agency’s Cultural Fund, plus one additional mentorship – the Edel Wignell Mentorship – for children’s writers. This mentorship is funded by the income from the acclaimed children’s author, Edel Wignell.
Successful applicants will work closely with a mentor selected from the ASA Mentors’ list for 25 hours over one year, with an additional two-hour consultation available following completion of the mentorship. A further five highly commended applicants will receive a two-hour phone consultation with a mentor they have selected from the ASA Mentors’ list.

http://www.asauthors.org/award-mentorships

Monday, 1 August 2016

A Writing Exercise - An Autobiographical Event

Writing What You Know
This is an autobiographical event that occurred back in the fifties when my family went camping every school holidays. The exercise that I am currently teaching is that this anecdote of being "nearly" caught in flood waters will be turned into fiction/ art!

Our Victorian Trip
When I was seven, my family was on a camping trip to Melbourne. We had left the calm August shores of Broken Bay with the sun spreading its warmth over the foothills. Heading south along the Hume Highway, we had camped at several places like Bowral and in Goulburn. Dad was a little pressured to get to Melbourne as we only had two weeks in the school holidays. This was the longest trip the family had ever taken.
   Along the highway and heading to Wagga Wagga, storm clouds moulded a dark and foreboding sky. My father, an experienced country driver, kept up a great speed in our station-wagon. My older brother and I were pigeoned in the back seat, beside my baby brother harnessed to his. We played eye-spy until all we could see in front of us was "R" for rain. A deluge battered the vehicle. We rocked as lightning flashed its craggy yellow line on the passenger's side window. My mother's side. We needed petrol. We all needed to pee. And so we headed to a roadhouse restaurant. My father kept up the humour about the worst storm he had ever rowed in, and blamed the school holidays for the usual crappy weather. But by the time we arrived his mirth had turned to one of concern. We watched as four cars were pulled by the swirling waters, and continued to watch in amazement as they travelled down the river, then sank. We were ordered to stay inside the car as the Murrumbidgee River's edges had collapsed on the other side. I remember holding in my stomach, as if my own water was about to burst its banks. My older brother Robert wanted a pie and sauce and Dennis (the baby) cried snot over his own hunger. I can still remember the image of all the people behind the plate glass licking their ice-cream cones and looking out at us in our station-wagon, a parking lot that was full of cars, yet ours was the only one that had people in it.
   Dad yelled. "Hold on tight." I'll never forget his grit, and that determined look on his face, when he did a quick handbrake turn and we headed across the highway, ploughing through field after field of harvested wheat or barley. I really can't remember which, but Dad planted his foot that day and headed to high ground. He steered us away from a raging river, a greatly reported flood that now lies archived as one of the worst to hit the south west of New South Wales in forty years.
   In hindsight, the farm trip was the highlight of the school holidays. We sailed past astounded cows, horses, fir trees and yelping dog until we finally came to an abrupt stop outside a loading shed. The farmer was very kind and gave us some fresh milk. We also go to use the farm's toilet and the family allowed us to bed down for the night in their hay barn. We huddled together that night, safe and dry and you could hear Dad telling us over and over, 'You might take the wrong road out of town, but you always come to a right stop.'


Thursday, 30 June 2016

Voting for all issues the Greens stand for!


I'm new to voting for the Greens in this Federal Election (2nd July, 2016). I was once a Labor supporter, but since they have changed their policy on Asylum Seekers I decided to stop my support for them. I am against domestic violence, animal cruelty, against cruelty of any kind and to my mind Australia's handling of desperate refugees on Manus Island and in turning back the boats is appallingly inhumane. (Where are they? it's all hush, hush. Where are they living, under the sea? Are they floating on some nether world for the rest of their lives? Have they reached the Kingdom's doors? The government's policy of "safe borders" is a policy of xenophobic hate. Australia is a large continent and could support more immigration, and it should lend a hand to those escaping oppression, rape, murder, war crimes, pillage, loss of  home and country, indeed loss of value and worth. There are old sayings my grandmother taught me and I apply it here, as if I was in the same position as them. She said, Helen, 'Always remember to treat your fellow human beings as you would like to be treated' and added concerning those less fortunate than me, 'There but for the grace of God, go I.'

Monday, 30 May 2016

Writer's Block: Is there such a thing?

Quite patiently, Ben Watts cut apart and stitched together scenes from 53 films (find a complete list here) showing characters suffering through writer’s block. Adaptation, Barton Fink, Shakespeare in Love, The Royal Tenenbaums, and, yes, Throw Momma From the Train–they’re among the films featured in the 4-minute supercut above. If you give the clip a little time, you’ll see that the supercut has an arc to it. It tells a tale, and has an ending that Hollywood would love.


http://www.openculture.com/2016/05/clever-supercut-of-writers-struggling-with-writers-block-in-53-films.html

Saturday, 30 April 2016

QWC & Hatchette Manuscript Development Program

Hachette Australia Manuscript Development Program, delivered by QWC

Queensland Writers Centre (QWC) and Hachette Australia are proud to announce their 9th national program for fiction and non-fiction writers in 2016.
WHAT IS THE PROGRAM?
Launched in 2008, the Hachette Manuscript Development program continues to provide a vital professional and creative development opportunity for emerging Australian writers. Shortlisted writers, and their manuscripts, are invited to participate in a fourday retreat program, during which they receive feedback and workshopping opportunities with Hachette Australia publishers, editors and authors, undertake specialised training designed to support establishing a writing career, and take part in networking events with industry leaders.

In 2016, up to 10 emerging fiction and non-fiction writers will work with editors from Hachette Australia to develop high-quality manuscripts. The program will run for four days in Brisbane, Queensland. Participants will each have an individual consultation with editors from Hachette Australia to receive feedback on their manuscript.  During the four days, participants will also meet other publishing industry professionals such as literary agents, booksellers and established authors, and work on their manuscripts. The program will run Friday 4–Monday 7 November 2016.
DEADLINE EXTENDED – Applications now close 5.00pm, Monday 16 May 2016

Wednesday, 20 April 2016

Impress Prize 2016

The Impress Prize for New Writers 2016
This year’s prize is now open for entries. The deadline is 01/07/16.
The prize was created to discover and publish new writing talent. Entries to the prize are assessed by the Impress team each year and a shortlist produced from which a panel chooses the winner. The panel is comprised of representatives from the publishing industry and the writing community.
The winner of the prize is offered a publishing contract with Impress books with the aim of publishing the book in the year following the award. The Impress team also looks at all entries, whether on the shortlist or not, with a view to publication by Impress Books. Numerous entries from previous years have gone on to be published by Impress Books and other publishers and many authors who have entered the prize have also gone on to be represented by agents.
It is our firm belief that the prize is not just about the winner but should encourage emerging authors to write and to provide them with a focus and forum for their talent.
To find out more about the prize, follow us on Twitter using @ImpressPrize and @ImpressBooks1.

  http://www.impress-books.co.uk/impress-prize/

Sunday, 28 February 2016

Submissions open for novel manuscripts with Leapfrog Press

Fiction Contest
Past Winners: 2015, 2014, 2013, 2012, 2011, 2010, 2009
The 2016 Leapfrog Fiction Contest is now open for entries, and will run through May 1.
Click one of the links above to read about past winners.
Read an interview with this year's finalist judge, Sara Pritchard, here.
Read an interview with Leapfrog's Lisa Graziano in Ploughshares' Indie Spotlight. Click here.
"NaNoWriMo winners welcome! If you finished your novel this past November during National Novel Writing Month, we encourage you to polish it up and submit it to our contest, regardless
of whether you have any prior publications. We'd love to read your work!"