The Jealous Wall, Belvedere County Westmeath

The Jealous Wall built in 14th Century to block the view of Lady Rochford seeing her accused lover.

Shrewsbury, England

Shrewsbury, an old medieval town in the West Midlands of England. It is the county town of Shropshire and River Severn.

Lough Ennell, Ireland

Lough Ennell with shallow waters has the some of the best spawning streams of any Lough in Europe.

The Ruins of Fore Abbey

Fore Abbey (630AD) is a Benedictine Abbey ruin, situated north of Lough Lene in County Westmeath, Ireland.

Tullynally Castle, 17th Century

Tullynally Castle is situated 2 km from Castlepollard on the Coole Village Road in County Westmeath, Ireland.

Tuesday 28 July 2015

Another Publishing Opportunity for Women


Women’s Novel Competition 2015
Cue the fanfares… it’s time again for our Women’s Novel Competition! This year, we’re on the lookout for novels of at least 50,000 words written for adults (and young adults) in any genre by previously unpublished women novelists.
Placing in the competition can help you along the road to publishing success. The 2011 winning novel The Palace of Curiosities by Rosie Garland was published by HarperCollins, and Lu Hersey’s Deep Water – the winning entry in our 2012 Children’s Novel Competition – secured a publishing deal last year. There couldn’t be a more perfect excuse to finally polish off a dusty draft, or put pen to paper on that new idea. 2015 could the year you get noticed.

1st prize: £5,000

The winner and four other finalists will receive manuscript feedback from The Literary Consultancy and and an invitation to a special networking event with literary agents.
Entry fee: £25 per novel
To enter, please submit the first 5,000 words of your completed novel, which must total at least 50,000 words.
Judges: Judges: Marina Lewycka (novelist), Juliet Mushens (literary agent), Di Speirs (Books Editor, BBC Radio & Music Production)
Please read the competition rules before entering. For any questions about your entry, email novel@mslexia.co.uk or call 0191 204 8860 to speak to a real person.
Good luck with your entries!
‘Within a week I had an enthusiastic new agent. Within a fortnight she sent it to fifteen UK publishers and I was at the heart of a bidding war. The result was a two-book deal with HarperCollins UK’
Rosie Garland, winner of our 2011 Women’s Novel Competition
Enter

Saturday 25 July 2015

Laurie Steed to judge SALA Short Story Prize

SALA Short Story Prize
The Arts Council of Mansfield is going national, with the SALA  Short Story Prize. And entries are now open, so polish up those short stories and send them in!
National prize
– $1000 plus a mixed pack of wine from Delatite Winery and publication in SALA Short Stories 2015
Local author prize
– $500 plus publication in SALA Short Stories 2015
Publication for up to 20 submissions
– we’ll offer publication in SALA Short Stories 2015 to up to 20 additional submissions. SALA Short Stories 2015 will be a gorgeous collection showcasing the best submissions we receive.
Entries close at midnight on Friday 18 Sept 2015 and must be submitted with an entry form

Judge for the SALA Short Story prize laurie-steed-1Laurie Steed will judge of the prize in 2015.
Laurie Steed is an author of award-winning literary fiction. His stories have been broadcast on BBC Radio 4 and published in Best Australian Stories, The Age, Meanjin, Westerly, Island, The Sleepers Almanac and elsewhere. He won the 2012 Patricia Hackett Prize for Fiction and is the recipient of fellowships and residencies from The University of Iowa, The Sozopol Fiction Seminars, Varuna, Writers Victoria, The Katharine Susannah Prichard Writers’ Centre and The Fellowship of Writers (WA). – See more at: lauriesteed.com

Thursday 23 July 2015

Poem: Nine Sparrows (from Miniscule ©)

 

Nine Sparrows
        Inspired by Gary Roberts' Nine Sparrows with Newspaper


In the silence of a painting,
nine sparrows live far from mountain and nest.
Like a toy army, they perch into the abundance 
of feather and down.
In the West they are vermin. In the East, they’re sentenced
to rafters and eaves.
There is something we fail to do in authority,
that must wait inside us like thick brown paint does
on palette and knife.
This little flock of birds, cold, without sun, stroked in burnt tan,
hearts and tails slide as snow drifts
on the breath of a pond.
But what is the point of knowing them bandits when they fill
a life of trees, when they remind us of home,
when on their travels
they turn east, west, south.


Acknowledgement:
http://www.franceskeevilgallery.com.au/artists_enlargement.php?current=5&workID=591&artistID=24

Wednesday 22 July 2015

A Prizewinner in the Family



My son at Fringe Architects has been sponsored by Midland Brick to attend the Houses Awards 2015 in Melbourne in August. We all have our fingers crossed that he will win a prize as a shortlisted entrant in the house design over 200 square metres.
http://gallery.housesawards.com.au/year:2015/awardid:49/entryid:1524



Monday 20 July 2015

Creative Writing with Helen Hagemann @ the Fremantle Arts Centre

Prose Workshop with Helen Hagemann, Friday 24th July. Class to read two chapters of "Far from the Madding Crowd" by Thomas Hardy. Writing exercises and discussion will revolve around "landscapes."

1.00pm - 3.00pm: Room 3, Upstairs, FAC North Wing
OOTA $20 - NON-OOTA $25


Far from the Madding Crowd (1874) is Thomas Hardy's fourth novel and his first major literary success. It originally appeared anonymously as a monthly serial in Cornhill Magazine, where it gained a wide readership. Critical notices were plentiful and mostly positive. Hardy revised the text extensively for the 1895 edition and made further changes for the 1901 edition.
PLOT
Gabriel Oak is a young shepherd. With the savings of a frugal life, and a loan, he has leased and stocked a sheep farm. He falls in love with a newcomer six years his junior, Bathsheba Everdene, a proud beauty who arrives to live with her aunt, Mrs Hurst. Over time, Bathsheba and Gabriel grow to like each other well enough, and Bathsheba even saves his life once. However, when he makes her an unadorned offer of marriage, she refuses; she values her independence too much, and him too little. Feeling betrayed and embarrassed, Gabriel's blunt protestations only foster her haughtiness. After a few days, she moves to Weatherbury, a village some miles off. When next they meet, their circumstances have changed drastically. An inexperienced new sheepdog drives Gabriel's flock over a cliff, ruining him. After selling off everything of value, he manages to settle all his debts but emerges penniless. He seeks employment at a hiring fair in the town of Casterbridge. When he finds none, he heads to another such fair in Shottsford, a town about ten miles from Weatherbury. On the way, he happens upon a dangerous fire on a farm and leads the bystanders in putting it out. When the veiled owner comes to thank him, he asks if she needs a shepherd. She uncovers her face and reveals herself to be none other than Bathsheba. She has recently inherited her uncle's estate and is now wealthy. Though somewhat uncomfortable, she employs him.

Friday 17 July 2015

Franz Kafka would have laughed too!

“As Gregor Samsa awoke one morning from uneasy dreams he found himself transformed in his bed into a gigantic insect.”
Franz Kafka, The Metamorphosis

Thursday 16 July 2015

Poem: Imagining the Life of an Earwig - (from Miniscule ©)



Imagining the Life of an Earwig

Leave a door open long enough
and an earwig will enter. The kitchen
is the most popular to travel in.
Among insects a decision is made
(those of different species)
not to touch or pass by in the hallway.
An ant and earwig might come together
and part, safe in the knowledge
that when one leaves another arrives.
It's the past meeting the future
simultaneously.
Whichever direction an earwig goes,
it will be one fast step
from the swish of a dog's tail,
or the pounce of a cat's paw.
Outdoors, earwigs forage in drains, leaf litter.
They love the chemistry of winter air,
the heavy crash of rain, a blue sky when it stops.
Sometimes you find an earwig sleeping between
the sheets of the morning newspaper,
although a quick flap or roll
over discarded scraps
can be fatal.

Tuesday 14 July 2015

The Task of Reading "The Golden Age" by Joan London as an e-book

Firstly, my bookshelves are overflowing and secondly, price-wise as a teacher of Prose, it's more cost effective to purchase an e-book.
 I am currently 30% through The Golden Age. When you buy an e-book these days esp. from Kobo they separate out the chapters and of course the pages are, for example, Chapter 7 The Trains p.1-102. THEY DO NOT show the pages (for the whole book) consecutively as Pages 1-256. I'm not sure why they do this? Perhaps it has something to do with switching from tablet, to iphone and then back to computer. The page marker will register where you're up to on each device. However, one has to have the contents page open on a laptop just in case there's an interruption, a low battery, etc. and you forget you're on Page 32 of Chapter 7, NOT Page 32 of  Chapter 6. The Poet. It's a testy concentration for any reader.  Nevertheless, I am enjoying London's poetic prose, and writing poetry myself, it's nice to have poetry mentioned in the narrative. There appears to be a cathartic reason to have poetry written by the main character Frank (who has polio), although any form of writing is therapeutic. But I guess I will find out as I read further into the book.

https://www.goodreads.com/book/show/23008397-the-golden-age

Wednesday 8 July 2015

Manuscript Preparation



In the course of writing children's poetry and getting six poems published at Australian Children's Poetry, I have discovered great links and information about just who are Australian children's publishers. And this is all thanks to the site http://australianchildrenspoetry.com.au/  as well as the hard working editor Teena Raffa-Mulligan, a writing colleague and well-known West Australian children's author.  http://www.teenaraffamulligan.com
The Australian Children's Poetry site also has valuable information with many links to markets, competitions, articles etc, and the following one (now important to me) features step by step instructions on manuscript preparation. So, here is the website of Winning Writers with some great tips on getting a manuscript together https://winningwriters.com/resources/manuscript-tips


Thursday 2 July 2015

Last Days & Night at Arvon, The Hurst

Clun Castle

Clun Castle at a distance. The remains of this ancient building has been left in its natural state. It is cushioned by steep hillsides and hard going (if like me) you are not sure of treacherous ground. The castle is no longer occupied, but is set high on a hill and inside a hillock.
History: Humans tend to be territorial beings. Battles continue to rage over control of land, borders expanding or contracting depending on the spoils of war. Britain's history continually reflects such disputes. The borders between England and its two neighboring nations, Wales and Scotland, were the sites of frequent warfare.
Clun Castle started as a motte and bailey castle, built by the Norman, Robert de Say, around 1140-50, as part of the Marcher lordship known as the Honour of Clun. Overlooking the River Clun and close to the confluence of the Clun and River Usk, the site was chosen for its defensive advantage and the presence of a natural rocky mound which could easily serve as the motte. The castle was originally built with timber defenses, but, probably within 20 years, stone replaced the vulnerable wood and Clun Castle became a typical Norman fortress. In 1196, Clun Castle was besieged and burned by the Welsh, under the leadership of the great Lord Rhys in 1196. However, it became the property of the prestigious Fitzalan family, who modified the structure into its present form (sans ruins!) and is responsible for the establishment of the associated village.   Reference: http://www.castlewales.com/clun.html
     
Clun Museum
At first I thought this was a working telephone box, until I discovered it was outside a museum in Clun.The post-box also seemed to represent the past, however most English houses have a slot opening in the front door. The museum wasn't open the day I ventured into town, so I didn't get a look inside. Instead I went with another writer to the same cafe and logged on to the internet. Being without the internet is hard going as all things link online, Facebook, email, twitter and also Instagram.
     
Our last night was a readings night. I was one of 16 writers, many of them very talented and hard working. We had two singer songwriters, a playwright, a poet, a flash fiction writer, a children's author, one lady writing a memoir of her Jewish grandparents, some were starting out with their project and the rest were novelists. I kept to the novel most of my time and had a chance to read part of Chapter 14 - The Seascape Mural.




Wednesday 1 July 2015

Photos from Arvon - The Hurst, Shropshire England

My Arvon Experiences - Clun Shropshire

I like writing residencies. There is something unique about time spent away (esp. overseas) and being among other artists. These are people of like minds and it's always a pleasure to talk about your work and discuss common threads. Most writers will tell you that time spent at a writer's retreat is often very productive. In 2011, I spent three weeks at the Tyrone Guthrie Centre in Ireland. In 2014, I had the luxury of one month at Can Serrat, El Bruc Barcelona. This year, 2015, I could only manage a week at The Hurst, Arvon Foundation, Shropshire England.

 Yet in all these residencies I have managed to work solidly on a writing project and get things done. I must admit, however, Barcelona, was too good a place not to see all the highlights. Also I visited Madrid, so not a lot of writing done in that retreat. Best of all however, was meeting two wonderful American art teachers, Paige and Geoff Byrne. They managed to take me under their wings and we had the best fun. After all, we were free to roam the country and who couldn't resist visiting the city of Barcelona, its many wonderful attractions especially Gaudi's architecture.
These pictures are from my June 2015 retreat in Shropshire. Unfortunately, only 5 days were spent at Arvon. I would have loved three weeks! Nevertheless, I managed to revisit my novel The Ozone Cafe, edit the work to all past tense, include another chapter on the actual build of the cafe, and on the last night read a small scene which details a mural that Vincenzo creates on the wall of the cafe. Some of the comments were very inspiring, two writers who I had spoken to previously felt that it was a very emotional part of the novel. Such great feedback was invaluable. It made me love my novel even more, and has made me more determined to get the manuscript (firstly) to an editor, and hopefully then to a publisher.

The two top pictures are of Clun, a tiny township not far from The Hurst. A warm and cozy cafe offered the internet which was a bonus, especially as we were out in the wilds of the Shropshire Hills. Also that the Centre's policy dictated no mobile phones, no internet, no television. Of course, except for meals, there was nothing else to do but "write"!

Views of the many walks on the property at Arvon. You have the choice of a quiet, but very dark and tall forest walk. Or the main entrance into the property, that has open fields, a small river running nearby, and a quick hop, skip and jump along the main road. Be warned, however, the road is narrow with very high hedges and no footpath.
A glimpse of the beautiful rhododendrons in the rear garden. Some of the writers picked bunches of them and decorated the evening table. The pinks and mauves added colour to a table setting of wine, good food and good company.
I was fortunate enough to occupy a room that faced south. So every morning, the sun streamed into the room bringing warmth and cheer. I was on the second floor and had a beautiful view of the front of "The Hurst" and down further into the valley and beyond. It was wonderful to sit each morning and look out, especially since the weather was sunny, although a little chilly in the early morning.

Most writers took the opportunity to walk the property, some not really enjoying the dark, dark forest, as I soon discovered. It was eerie and totally isolated. I chose the warmer, lighter and more level paths down to the main road. I did walk along the main road for about 10 minutes, then turned around, making sure my total walk was 25-30 minutes each day.

Evangelyne

My blog "Evangelyne" is still online. Most of the poetry, however, from my children's collection Miniscule had to come down as the manuscript will soon be sent to publishers. Fingers xxxx,
You can read old poetry + new poetry on the Evangelyne blog from time to time. Also you can read earlier work on my website Helen Hagemann's Poetry & Prose